![]() Returning to normal life - or worse - might be inevitable, but Ti Amo's hazily gorgeous memories remain potent and poignant. It's no coincidence that the most urgent song on the album, "Fleur de Lys," takes its name from from one of the most classic symbols of France, while "Telefono" plays like a prologue that tracks a connection as it fades across time zones. ![]() ![]() Some of this must be intentional - one of the main reasons Ti Amo's celebration of la dolce vita doesn't descend into escapism is because it's so fleeting. "Via Veneto" is hazier still, as if the album is fading away before listeners' ears. "Goodbye Soleil" captures a dream evaporating with twilight melancholy, but "Role Model" is harder to grasp, even with its massive choruses. Ti Amo's first half is one of the band's most consistent stretches of songs since Wolfgang Amadeus Phoenix, but the wispiness of its second half delivers mixed results. Later, "Fior di Latte" (which takes its name from a type of cheese) serves up the kind of soft rock that could be cheesy in less skilled manos. "J-Boy"'s impulsive fling is made all the more pointed by the song's imagery of dying coral reefs and kamikazes, while Thomas Mars' quasi-rap vocals prove once again that Phoenix are masters of turning corny into cool. As the title implies, Ti Amo mixes love, lust, different languages, and soft-focus rock and disco into some of the band's most romantic music the swelling arpeggios on the standout "Lovelife" feel like they could have been played on heartstrings instead of a synth. ![]() Instead of responding with more darkness, Phoenix make the most of their good-natured music, channeling the sensual joys of an Italian summer into gelato-sweet and gelato-brief songs that suggest beauty and romance are always necessary, especially when times are tough. In the four years between Bankrupt! and this album, the world got a lot darker and scarier, with events such as the 2015 terrorist attacks in Paris defining the era's violence and uncertainty (due to a police lockdown during the attack at the Bataclan theater, Phoenix guitarist Christian Mazzalai was even trapped in their studio while they were making Ti Amo). This is particularly true of Ti Amo, a reaction to the tumultuous late 2010s that feels timely, timeless, and unmistakably Phoenix. While the band's previous work enjoyed a moderate underground following, the release of Wolfgang Amadeus Phoenix drew the attention of a more mainstream audience. Though Phoenix's blend of soft rock, synth pop, disco, and indie has remained largely the same over the years, they've always given their albums distinctive moods. Wolfgang Amadeus Phoenix is the fourth studio album by French indie pop band Phoenix.
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